Here’s a brief intro in case you don’t already know Meags Fitzgerald. She’s an illustrator, designer, and comic book artist. Her beautiful work can be seen here. Her first graphic novel Photobooth: A Biography got her the Doug Wright Spotlight Award and she was featured as one of Cult Montreal’s “Best Cartoonists / Comic artists”. She has long red hair and soon, we’ll all have the chance to have Long Red Hair as well. She also does ambidextrous illustrations - check out this one she did for a (Dutch) T-Mobile commercial. And hey speaking of commercials is this post starting to sound too much like a Meags Fitzgerald commercial?

Needless to say I was thrilled to have an opportunity to photograph her working in her studio in the Mile-End. Her workspace is amazing - no wonder she’s productive and creating all this great work. There’s lots of window light, a little balcony, and the entire space is beautifully decorated in a way that reflects her artistry. It’s hard to explain but everything from her art to her studio and even her clothing fits together so congruently, yet effortlessly. She lives and breathes her art and I’m jealous. Even the color scheme in her bedroom matches the color palette of her graphic novel.

Speaking of which, I’m halfway through Photobooth: A Biography and it’s a captivating collection of personal stories mixed in with the history of the photobooth. Jonathan Goldstein from Wire Tap and This American Life even described it as a love story between Meags and photobooths. So what you should do is obvious. Go to Drawn and Quarterly, first, because it’s an amazing shop, and second, while you’re there, get yourself a copy of her graphic novel to support our local Montreal Artists.

As I’ll be finishing her book in the next few weeks, Meags will be touring with a comedy troupe called Quest For the Dragon King (yeah she also does improv, and teaches improv too). If you wanna try and keep up with Meags and her different quests in life, make sure to follow her blog.
Thanks for reading and click here to check out the gallery with the other Montreal Artists I've photographed!
Many years ago there was a pickle factory on St-Laurent street in Montreal. An Enterprise Rent-A-Car and Jacques' metalwork shop have since taken over that space. It's a huge space with two big skylights. There’s a wall full of reclaimed wood, another one covered with his arsenal of hammers. There are massive sharpening, drilling, cutting, and sanding machines that I should probably avoid if I want to keep all of my fingers.



His work, like his workshop, is full of character. He custom-builds everything. The first time I met him (at the Smart Design fair), he had brought small furniture items that combined steel and wood beautifully. When I visited him this time, he was building something for the Dispatch coffee food truck and had been working on a few bike frames.




Carolina shares her space, so you don't see her art right away (you likely first notice the hanging taxidermied squirrel floating above your head). She’s been working in another art studio all day and is now back at the Long Haul after all other artists have already left. The radio quietly plays in the background, and the kettle is on. I can see her past art installations packed against the wall. This is her workstation:
She uses beads, thread, and needle.
I love the stories I hear with each artist I meet, there's always something to take away. I sometimes get advice on how to live a creative life. I hear about their artistic journey - some had a clear vision that was achieved through sheer determination, others went through many detours to arrive where they are now. I always leave these shoots inspired. After speaking with Carolina I realized that many photographers including me are lacking a personal connection to our work and it's definitely something I want to work on. Check out her work


















Andrew Cameron, co-founder of Chocolate Moose, in the process of transforming into Dr. Faustus.
Nothing gets you going like a bit of screaming and making animal sounds.
This is Emily Murphy, co-founder of Chocolate Moose. I met her years ago as the friend of the sister of a friend. She’s now blonde and studying theatre at Columbia University.
Portrait of Andrew Cameron as Ernest.
Portrait of Alina Gotcherian as Ernestine.
Headshot of Alina Gotcherian.
Headshot of Andrew Cameron.
Promo material. This is Martin Law, co-founder of Chocolate Moose Theatre, as Richard III.
I like this one. I turned on my camera and lights and took this test shot before adjusting any settings. He looks pensive, but he’s actually just figuring out this Rubik’s cube-like puzzle.












